I had never hear the term until I started doing research for this blog. Wisegeek.com defines a Literary Cannon as " refers to a classification of literature. It is a term used widely to refer to a group of literary works that are considered the most important of a particular time period or place. For example, there can be a literary canon comprised of works from a particular country, or works written within a specific set of years, or even a collection of works that were all written during a certain time period and within a certain region. In this way, a literary canon establishes a collection of similar or related literary works.”
George P Landow said in his article titled the Victorian Web literature, history, and culture in the age of Victoria
Belonging to the canon confers status, social, political,economic,aesthetic, none of which can easily be extricated from the others. Belonging to the canon is a guarantee of quality, and that guarantee of high aesthetic quality serves as a promise, a contract, that announces to the viewer, "Here is something to be enjoyed as an aesthetic object. Complex, difficult, privileged, the object before you has been winnowed by the sensitive few and the not-so-sensitive many, and it will repay your attention. You will receive pleasure; at least you're supposed to, and if you don't, well, perhaps there's something off with your apparatus." Such an announcement of status by the poem, painting, or building, sonata, or dance that has appeared ensconced within a canon serves a powerful separating purpose: it immediately stands forth, different, better, to be valued, loved, and enjoyed. It is the wheat winnowed from the chaff, the rare survivor, and it has all the privileges of such survival.
This statement almost implies that the cannon knows more about literature than the reads ever will. The cannon will tell you the best books to read so you will not waste your time wanting to read anything else. But what about the books that don’t make the “cut”? Who is to say that they are not worth reading? Is it possible to do away with such a thing as the cannon? No because then we would not have a standard to hold anything up against.
George Landow closed his article with the following comment.
One cannot simply proclaim the end of canons and hence do away with their bad effects, since they can no more be done away with or ended by proclamation than the laws of perception or the laws of gravity. Grandiose announcements that one is doing away with The Canon fall into two categories, resembling either the announcements, doomed to failure, that one is no longer going to speak in prose or those of the censor that in totalitarian fashion tell others what they cannot read. Doing away with the canon leaves one not with freedom but with hundreds of thousands of undiscriminated and hence unnoticeable works, with works we cannot see or notice or read. We must therefore learn to live with them, appreciate them, benefit from them, but, above all, remain suspicious of them. (Landow)
Who decides which literary works make the cut and end up on the canon? Is there a board of directors sitting somewhere reading everything that was printed and compiling the list? Who actually started the list and why? When I was looking for information regarding these very questions the answers were very vague. The only real answer that I could find dated back to the 30’s and the conception of the canon. In “The canon in the classroom: students’ experiences of texts from other times.”by MARK A. PIKE he talks about how in England back in the 1930 there was a small circle of critics in Cambridge that developed the cannon. They were Leavis, Richards, and Eliot. These three men decided that only the intellectual elite should make the judgment of which books we should read.
While they were in England starting the canon here in the US they were trying to start a canon for the public schools. They wanted to make sure that the texts that were on the reading list held up to the Christian values they were trying to uphold. Even today in our schools there are reading lists and while most people don’t think about it, what books the schools order or the teachers assign as reading material has a lot to do with the canon.
The question that is was foremost in my mind as I did this research is can we change which books belong on the canon? How much influence does the general book buying public have? Books make it on to the cannon by how often it is recommended and read. Schools have an influence when they order text books and assign reading lists. The media influence the canon every time a well know spokesperson recommends a book or puts in on their book club. If we as a literary community decided to put a book that was passed by or overlooked by the “Literary elite” on the cannon could it be accomplished simply by buying enough copies?
Works Cited
The canon in the class room by Mark A Pike. J. CURRICULUM STUDIES, 2002, VOL. 35, NO. 3, 355–370
George P. Landow, Professor of English and Art History, Brown University, The Victorian web literature, history, & culture in the age of Victoria. http://www.victorianweb.org/gender/canon/litcan.html
wisegeek.com
http://www.wisegeek.com/what-is-a-literary-canon.htm